Art News - Worldwide

Coronavirus updates: 2 passengers die after leaving 'chaotic' cruise ship

Yahoo - Art News - Thu, 02/20/2020 - 11:31

The death toll from the coronavirus outbreak climbed to 2,118 in China. Here is the latest for Thursday.


Debate shows Bernie Sanders could win most votes but be denied nomination

Yahoo - Art News - Thu, 02/20/2020 - 11:19

The Vermont senator was alone in saying he would back whoever won a plurality of delegates – with others open to superdelegates tipping the balance for another candidate at the conventionAmid the Mike Bloomberg pile-on and the Pete Buttigieg-Amy Klobuchar squabbling, there was a key point that slipped by almost unnoticed during Wednesday’s tumultuous Democratic debate – one that could potentially prevent Bernie Sanders from becoming the nominee.Towards the end, each of the six candidates was asked if – at the Democratic national convention this summer in Milwaukee – they would support the person who has won the most delegates – even if that person hasn’t achieved a majority.Five of the candidates said they would not. The Democratic socialist and Vermont senator said he would.It might seem a wonky, opaque detail, but it raises the prospect that Sanders, who has a commanding lead in the polls and has emerged as the frontrunner, could win the most pledged delegates – those allocated on the basis of votes during the marathon Democratic primaries – but be swindled, at the last, by the Democratic party elite.That’s because of superdelegates.Superdelegates, who are chosen by the central Democratic party, are different from pledged delegates, who are effectively voted for during the primaries. As of 20 February, Buttigieg is in the lead in terms of pledged delegates, with 22 to Sanders’ 21.But Sanders is better-placed than Buttigieg to pick up more pledged delegates in Nevada on Saturday and South Carolina the following week. He is also likely to add to his total again on Super Tuesday, when 14 states vote, yielding a total of 1,357 delegates.If Sanders’ popularity endures, he could amass more delegates than his rivals by the time of the July convention, when the pledged delegates effectively vote for the nominee in a first round of voting that is meant to pick the nominee.However, if Sanders does not have an absolute majority – more than 50% – during the first ballot when the pledged delegates line up behind their chosen nominee, then it is the superdelegates who will join the vote in a second round of voting.Superdelegates, who in the past have aligned with the center, “establishment” wing of the Democratic party, will be free to wade in and vote for whomever they choose in this second ballot.With Sanders a resolute outsider in Democratic terms – he sits as an independent in the Senate, and had to sign a pledge last year committing to the party – he is unlikely to be a favorite of these party grandees.If the superdelegates vote for a more centrist figure, that could mean Sanders – even if he has secured a majority of votes in the primaries – would be pipped at the post, and not be the nominee.That’s why that moment in the Nevada debate was so important. Five of the candidates were effectively saying that even if they were losing at the Democratic national convention, they were open to the unelected superdelegates weighing in in their favor, potentially gifting them the nomination even though they did not win the support of the most actual voters in the whole race.It’s a prospect that would leave Sanders’ supporters irate – and even upset some non-supporters. Marianne Williamson, Sanders’ erstwhile rival for the nomination, was among those to criticize the process on Wednesday night.“The Democratic Party should be on notice: if you even think about using superdelegates to take the nomination from someone who has the plurality of delegates going into Milwaukee, we the people will not take it lying down,” Williamson wrote on Twitter.The superdelegate rules were changed in 2018 after criticism from Sanders and others. Until then, superdelegates could vote for whomever they chose in the first round of the convention, and an overwhelming majority supported Hillary Clinton in 2016, although she was also ahead of Sanders in pledged delegates and rank-and-file votes.At the time, Sanders called the 2018 change “an important step forward in making the Democratic party more open, democratic and responsive to the input of ordinary Americans”.With the prospect of superdelegate interference once again looming over his presidential chances, however, it is likely Sanders feels more reforms are needed.


Pete Buttigieg quips he's 'a Microsoft Word guy' during Democratic debate and attracts instant Clippy comparisons

Yahoo - Art News - Thu, 02/20/2020 - 11:06

Democratic presidential candidate Buttigieg has revealed an affinity for Microsoft's famous word processor.


At least 5 people in China have disappeared, gotten arrested, or been silenced after speaking out about the coronavirus — here's what we know about them

Yahoo - Art News - Thu, 02/20/2020 - 11:06

Wuhan doctor Li Wenliang, who died of the new coronavirus, was initially censored by police. He wasn't the only whistleblower to go silent.


Four things to know about Pope Pius XII's archives

Yahoo - Art News - Thu, 02/20/2020 - 11:04

The March 2 unsealing of the archives of Pope Pius XII, the controversial World War II-era pontiff, whose papacy lasted from 1939 to 1958, has been awaited for decades by Jewish groups and historians. The controversy over Pius XII hinges on whether the head of the Catholic Church, a former diplomat of the Holy See in Germany, remained too silent during the Holocaust, never publicly condemning the Nazis. The most sensitive archives, comprising the World War II period, have already been largely published by the Vatican.


Police chief walked home in underwear after being fired

Yahoo - Art News - Thu, 02/20/2020 - 11:00

A police chief stripped down to his underwear and walked home through a snowstorm after being fired by officials in New Hampshire.


Coronavirus: CDC issues new travel notices for Hong Kong, Japan

Yahoo - Art News - Thu, 02/20/2020 - 10:53

The Centers for Disease Control and Prevention issued new advisories on Wednesday for travelers going to Hong Kong and Japan due to coronavirus.


Taliban's deputy leader writes New York Times op-ed detailing 'what we want'

Yahoo - Art News - Thu, 02/20/2020 - 10:51

A leader of one of the most notorious terrorist groups in the world just got a megaphone from The New York Times.On Thursday, the Times published an op-ed from Taliban deputy leader Sirajuddin Haqqani ominously titled "What we, the Taliban, want." It comes as the Taliban continues to work out a peace deal with the U.S., and in it, Haqqani insists "everyone is tired of war" on their side too.Haqqani paints a thoroughly positive picture of his terrorist organization, and apparently the Times just decided to roll with it. "We did not choose our war with the foreign coalition led by the United States. We were forced to defend ourselves." Haqqani writes. But because "the long war has exacted a terrible cost from everyone," the Taliban decided to try negotiating with the U.S. even though "our confidence that the talks would yield results was close to zero," Haqqani continues. Even when President Trump called off those talks after a Taliban attack, the group kept the door open -- a testament to "our commitment to ending the hostilities and bringing peace to our country," Haqanni rosily describes.As The Washington Post's Dan Lamothe noted in a tweet, "The fact that this New York Times op-ed by Sirajuddin Haqqani exists at all is remarkable." Mujib Mashal, an Afghanistan correspondent for the Times, had a more pointed critique. > The piece by Siraj Haqqani in @nytopinion \- which's independent of our news operations & judgment - omits the most fundamental fact: that Siraj is no Taliban peace-maker as he paints himself, that he's behind some of most ruthless attacks of this war with many civilian lives lost> > -- Mujib Mashal (@MujMash) February 20, 2020More stories from theweek.com The growing crisis in cosmology Mike Bloomberg is not the lesser of two evils The Democrats gave Mike Bloomberg what he deserved


Face facts, Bernie Sanders is electable

Yahoo - Art News - Thu, 02/20/2020 - 10:47

It’s well past time to bury the 'Bernie is unelectable' trope. He has a better shot than moderate Bloomberg.


Taliban deputy leader says 'committed' to peace in NYT op-ed

Yahoo - Art News - Thu, 02/20/2020 - 10:35

The deputy leader of the Taliban and one of the world's most wanted militants has written an opinion piece for the New York Times in which he says the Afghan insurgents are "fully committed" to a deal with Washington. It is also believed to the first time that Sirajuddin Haqqani -- who doubles as head of the Haqqani network, a US-designated terror group that is one of the most dangerous factions fighting Afghan and US-led NATO forces in Afghanistan -- has given such a lengthy statement in English. The most recent one on a Taliban website was dated June 2017.


Mexican President Lopez Obrador says unaware of probe into ex-President Pena Nieto

Yahoo - Art News - Thu, 02/20/2020 - 10:22

Mexican President Andres Manuel Lopez Obrador on Thursday said he is not aware of an investigation into his predecessor, Enrique Pena Nieto, after a media report that law enforcement authorities are probing the former leader. "There is no investigation that I know of against the former president Pena Nieto," Lopez Obrador said in his daily morning press conference.


Sanders 'socialism' represents a battle for the soul of the Democratic Party

Yahoo - Art News - Thu, 02/20/2020 - 10:07

If the election comes down to debating whether Sanders better fits the definition of a socialist or communist, Trump has nothing to worry about.


Speak My Language: Art in New Zealand Addresses Inclusivity and Accessibility

ArtNews News Feed - Thu, 02/20/2020 - 10:00

Among the eye-opening experiences for a visitor to New Zealand (or Aotearoa, the nation’s traditional Māori name) is finding wonder in the prevalence of bilingual signage and didactics. Text often appears in English and te reo (“the language” in Māori)—the predominant language of the area until the 20th century—and for someone who lives in America, where multilingual exhibitions are so revolutionary that they inspire self-congratulation, such a small but meaningful decolonizing gesture feels radical. How stories are told and whose voices are acknowledged were recurring themes in the art on view from Auckland to Wellington, Christchurch to New Plymouth—where artists have complicated records, contested histories, and asserted truths of their own experience.

The most ambitious work comes from Ruth Buchanan, who exposes the power dynamics behind canonization. For her exhibition “The scene in which I find myself / Or, where does my body belong” (on view through March 22), Buchanan selected close to 300 artworks from the 50-year-old collection of the Govett-Brewster Art Gallery/Len Lye Centre in New Plymouth to fill five galleries, each dedicated to a decade and showing works that are artists’ first acquisitions by the museum.

The crowded displays organized by categories of Buchanan’s own devising (Female, Male, Living, No longer living, Māori, In or Around the Pacific, Legs, Hands, Exception) pulled nearly one-third of the Govett-Brewster’s collection of primarily New Zealand art, and the imbalances in it are clear: Those in power have historically valued white artists more highly than indigenous ones, and men more highly than women.

Installation view of Ruth Buchanan’s exhibition “The scene in which I find myself / Or, where does my body belong,” 2019–20.

Buchanan forgoes wall labels for a thick booklet that lists and maps every artwork, complete with acquisition notes and exhibition histories. Few museumgoers would attempt to absorb all such data while taking in the show, but Buchanan seems less interested in highlighting individual narratives than she is in highlighting the paradoxical nature of institutional language that simultaneously defines and flattens identity. Her chronology and “departments” help us digest the collection, but what are our expectations when we step into a space labeled “Female” or “Male”? How can museums address their limitations? What would an inclusive, accessible collection look like?

Similar questions lingered at the Christchurch Art Gallery Te Puna o Waiwhetū, where “Māori Moving Image: An Open Archive” (closed January 26) showcased four decades of animation, film, and video work by 19 Māori artists, and served as a salve to the many collections of work by white artists who have treated Māori culture as theirs to consume. Te Rarawa artist Ana Iti confronted contemporary perceptions of indigenous people in a 20-minute video in which she crouches by dioramas of early Māori settlements in simplistic contexts at a historic museum nearby, her presence a quiet protest of museological representations that deny sovereignty.

Rachel Rakena’s As an Individual and Not Under the Name of Ngāi Tahu, 2001, seen through Lisa Reihana’s Native Portraits N. 19897, 1997, in “Maori Moving Image.”

In a three-channel video installation that immersed viewers in misty scenes of a polluted timber town, artist Natalie Robertson (Ngāti Porou, Clann Dhònnchaidh) lamented the desecration of land steeped in tribal histories and mythologies. Another installation by Terri Te Tau responded to state-sanctioned surveillance of Māori—with visitors entering an ominous black van inside of which dashcam footage played on the windshield, giving an eerie tour of houses raided as part of an “anti-terror” police operation that targeted Māori communities.

Teeming with indigenous knowledge, “Māori Moving Image” made certain viewers aware of their own relationship to Māori culture—knowing, unknowing, or perhaps somewhere in between. Standing at the exhibition’s entrance was a multimedia gateway by Lisa Reihana evoking traditional waharoa archways that are carved with ancestral portraits and frame the entry into important community grounds. The work enlisted 11 monitors showing looping videos of her friends and family in traditional Māori dress, colonial garments, and contemporary workwear, some posed as if in a photography studio and others performing stereotypes of the “noble warrior” and the “Māori belle.” Referencing ethnographic photographs of old, Reihana’s moving album reclaimed power in image-making while marking a threshold where cultures might meet.

Behind that streamed a video by Rachael Rakena (Ngāi Tahu, Ngā Puhi) engaging the fact that not all indigenous knowledge is everyone’s to access. Dancers moved in water as email snippets scrolled over the scene, with words revealing a dispute among whānau (extended family) over questions related to publicly sharing knowledge of a traditional food-preservation skill. Rakena suggests that, just as water serves as terrain tied to Māori identity, the internet can offer space to connect to indigenous traditions—though it complicates the protection of collective culture. For non-Māori, this means accepting that we are not entitled to certain indigenous information even if it seems to circulate freely.

Back on the North Island of New Zealand just outside Wellington, the Dowse Art Museum show “Strands” (up through March 22) brings together four rising Māori artists exploring identity in distinct ways that combat a singular, static concept of what it means to be Māori. Arapeta Ashton celebrates the role of a kaitiaki—a guardian of weaving techniques—through the laborious transformation of kiekie plant fibers into kākahu cloaks that connect wearers to ancestors. , a serene video whose title translates as “breath,” shows Ashton’s dedicated preparation of long leaves to breathe life into, while a finished kākahu floats like an elegant cascade of light in the middle of the gallery.

Olivia Webb, Anthems of Belonging—the Tiibin
Family
, 2019.

Nearby, Ayesha Green’s small paintings repeatedly connect her name with those of her mother and grandmother in childlike cursive lettering. Ana Iti, too, considers the relationship between language and identity with letters that represent Māori pronunciation and dialects carved in boxes of sand, preserving oral and written forms in reliquaries that literally carry a (sense of) place. Chevron Hassett’s photographic series The Children of Māui more explicitly weaves personal histories with landscape, documenting intimate and joyful moments from trips around his home, or tūrangawaewae (meaning “domicile” or a “place to stand”).

Further meditations on home fill a neighboring gallery at the Dowse, where Olivia Webb’s affecting five-screen video installation (through March 22) visits five families in their living rooms, performing songs they wrote about place and belonging in New Zealand. Reminiscent of Ragnar Kjartansson’s The Visitors, Webb’s Anthems of Belonging magnifies the diversity of lived experience, urging us to listen to expressions of a variety of values, concerns, and desires.

Jasmine Togo-Brisby, If these walls could talk, they’d tell you my
name
, 2019, installation view, Wellington, New Zealand.

In Wellington proper, installed along the main street of the bustling Courtenay Quarter (through March 8), Jasmine Togo-Brisby has presented a series of haunting light boxes that illuminate her family history as a fourth-generation Australian South Sea Islander. Her work, titled If these walls could talk, they’d tell you my name, features larger-than-life silhouette portraits of the artist, her daughter, and her mother against images of Wellington Town Hall’s ceiling, which is undergoing restoration. The historic architecture is entwined with the story of a fourth woman: Togo-Brisby’s great-great-grandmother, who was shipped from her island to Sydney as a child and served the Wunderlich family, founders of the company that produced those ornate namesake ceiling tiles. Unmissable during both day and night, the matrilineage makes evident colonial traumas and asks: Whose heritage do we choose to remember, value, and protect?

Another outdoor work on the terrace of the Auckland Art Gallery Toi O Tāmaki, Sorawit Songsataya’s The Interior (on view into November), pays tribute to lost nature by way of native and endemic birds sculpted from creamy white Oamaru stone surrounding a massive blue, resin-cast moa, a species of flightless bird that went extinct some 700 years ago. The arrangement draws on a 1907 painting of birds gathered to mourn “the last moa,” effectively placing viewers within the scene while inciting sympathy, sorrow, and shame. Although longing for the past, it could be an elegy for a not-so-distant future when creatures and beings of all kinds will be relegated to a history we cannot revise.

A version of this article appears in the Spring 2020 issue of ARTnews, under the title “Speak My Language.”

Mike Lee Slams Equal Rights Amendment as Part of ‘Radical Pro-Abortion Agenda’

Yahoo - Art News - Thu, 02/20/2020 - 09:55

Senator Mike Lee (R., Utah) on Wednesday criticized the Equal Rights Amendment during a town hall appearance in Salt Lake City, Utah.Lee said he disagreed with the amendment and even with its name, which is euphemism designed to conceal the amendment's actual implications."By passing this amendment, we would be upending decades of legal precedent that makes these things clear, putting into their place uncertainty and putting into their place a radical pro-abortion agenda with which I passionately disagree with," Lee told the audience. Republicans contend the amendment would be used as a constitutional protection for legalized abortion at any stage.On February 13, the House passed a resolution scrapping the deadline for passage of the amendment, which expired almost 40 years ago. Virginia became the 38th state to ratify the amendment in January.The Justice Department has opposed the amendment's adoption, emphasizing the expiry date and arguing that any states that signed on after that date are not valid signatories. Supreme Court Justice Ruth Bader Ginsburg has also voiced her opposition to enacting the amendment by repealing the deadline."There’s too much controversy about latecomers — Virginia [approved it] long after the deadline passed," Ginsburg said at a February 10 event at Georgetown University. However, the justice said she would like to see the amendment passed if the state ratification process could be started from the beginning.House Speaker Nancy Pelosi has asserted the amendment would not affect abortion rights, while pro-abortion organizations such as the National Organization for Women and NARAL Pro-Choice America have stated the amendment may give courts the support needed to roll back pro-life legislation.


China is offering families of doctors who died fighting the coronavirus a 'sympathy payment' of $716

Yahoo - Art News - Thu, 02/20/2020 - 09:47

People on the Chinese social media site Weibo balked at the low number. "Is this missing a few zeros?" one asked.


Apple might finally let iPhone and iPad users change their default internet and email apps, according to a new report

Yahoo - Art News - Thu, 02/20/2020 - 09:37

Apple is reportedly considering a massive change to the iPhone and iPad: Allowing users to choose their own default email and web browser apps.


China says will help manage Mekong as report warns of dam danger

Yahoo - Art News - Thu, 02/20/2020 - 09:35

VIENTIANE/BANGKOK (Reuters) - China on Thursday said it was helping its downstream neighbors cope with a prolonged drought by releasing more water from its dams on the Mekong River, adding it would consider sharing information on hydrology to provide further assistance in the future. The statement came as a new economic report predicted that the building of dams to harness hydropower on the Mekong River would reshape the economies of five countries along the waterway, fuelling long-term inflation and dependence on China. The drought over the past year has severely hurt farming and fishing in Laos, Thailand, Cambodia, Myanmar and Vietnam, and many blame China's 11 dams on the upper Mekong - which China calls the Lancang River - as well as climate change.


Art Basel Launches Online Viewing Room, Forensic Architecture Founder Barred from U.S., and More: Morning Links from February 20, 2020

ArtNews News Feed - Thu, 02/20/2020 - 08:57

To receive Morning Links in your inbox every weekday, sign up for our Breakfast with ARTnews newsletter.

News

After canceling its Hong Kong fair, which was to take place next month, Art Basel will now host online viewing rooms for galleries to sell the work they had planned to offer. [ARTnews]

Some 800 staff members at the leading art schools in the United Kingdom will participate in a national strike affecting more than 70 campuses across the country. Among the grievances behind the strike are rising workloads and the gender and ethnicity pay gap. [The Art Newspaper]

Eyal Weizman, the founder of the art collective Forensic Architecture, said he was barred from entering the United States ahead of the opening of the group’s first American museum survey. [ARTnews]

Artists

Jordan Casteel’s intimate portraits of immigrants and people of color are currently the subject of an exhibition at the New Museum in New York. [Observer]

Watch a one-minute video of artist Erwin Wurm making a sculpture, using a gray pullover sweater, a newspaper, and his body. [T: The New York Times Style Magazine]

Spanish artist Laia Abril has an exhibition of photographs of the clothing that women, girls, and men were raped in, on view at the Galerie Les Filles du Calvaire in Paris. [The Guardian]

In her first L.A. solo show, at Philip Martin Gallery, Kristy Luck presents recent abstract paintings, in which “color is key.” [Los Angeles Times]

Money

Hettie Judah takes a deep dive into toxic philanthropy in London museums, asking “So from whom should our top museums accept — or reject — all that money?” [Evening Standard]

The Bank of England has started to rollout some 2 billion £20 notes, which feature the image of painter J. M. W. Turner. [The Guardian]

Misc.

A course for children at the Cummer Museum of Art & Gardens in Jacksonville, Florida, combines coding and art. [Jacksonville Business Journal]

A look at Talk Art, the fast-growing British podcast about art, hosted by gallerist Robert Diament and the actor Russell Tovey. [The New York Times]

Coronavirus is Spreading Rapidly in China (And One Minority Group Is Under Serious Threat)

Yahoo - Art News - Thu, 02/20/2020 - 08:57

If the Chinese government cannot or does not curb the transmission of the novel coronavirus in Xinjiang, it’s possible that it will evolve, as the influenza virus did in 1918, to become even more dangerous to humans


‘Be Wary of Authoritarian Regimes’: Pompeo Warns African Allies Not to Rely on China

Yahoo - Art News - Thu, 02/20/2020 - 08:36

Secretary of State Mike Pompeo on Wednesday cautioned African nations against allowing too much influence from China, saying an economic partnership with the U.S. would better serve the nations."Be wary of authoritarian regimes and their empty promises," Pompeo said in Addis Ababa, Ethiopia, in a reference to China. Pompeo asserted cooperation with the U.S. represented a path toward "true liberation."The comments come days after China expelled three Wall Street Journal reporters from the country in response to an opinion column in the paper that labeled China "the sick man of Asia."Pompeo's remarks capped a three-day trip to Ethiopia, Senegal and Angola, during which the secretary of state pushed for economic liberalization and the support of American businesses including Citibank, Chevron and Coca-Cola.The U.S.'s top diplomat also criticized the "failed socialist experiments of years past" that were attempted in some African nations.However, the trip concluded without any new major policy announcement. Chinese investments in Africa dwarf those of the U.S., with many countries benefiting from economic and infrastructure projects.The Trump administration's relationship with certain African nations has been overshadowed in recent weeks by speculation on the future of their relationship to the U.S. The Department of Homeland Security recently added Nigeria and Eritrea to an immigration ban, although citizens of the two nations will still be able to travel to the U.S. for business or pleasure.There is also speculation that the U.S. will reduce its troop presence in the Sahel, a vast region south of the Sahara Desert that has experienced growth in terrorist organizations including Al-Qaeda and ISIS offshoots. Currently, over 1,000 American troops are deployed to the region, mostly providing support to French forces fighting terrorist groups.On Saturday, Senator Lindsey Graham (R., S.C.) reportedly told Defense Secretary Mark Esper he could "make your life hell" if the administration goes through with a troop withdrawal from Africa.


Pages

Subscribe to Artzy Party - Mobile Painting Classes - Team Building - and more aggregator